Heilbrunn Timeline of Art History

The Metropolitan Museum of Art



  • The Rape of Proserpina
    Giuseppe Scolari (Italian, Vicenzan, active late 16th–early 17th century)
    Woodcut; second state

    sheet 20 1/4 x 15 3/8 in. (51.4 x 39.1 cm)
    Rogers Fund, 1922 (22.73.3[152])

    Smitten by love for Proserpina, Pluto (also known as Hades), lord of the Underworld, bore her off violently in his infernal chariot, plunging through the Bay of Cyane into his subterranean realm. Scolari, who was also a painter, is best known today for his technically inventive and highly expressive woodcuts, which he both designed and cut. In his only depiction of a mythological subject, the artist captures the moment when the earth splits open, the waters of the bay pour into the void, and the fires of Hades issue forth, while the maiden struggles to free herself from her captor.

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  • The Rape of Proserpina
    Giuseppe Scolari (Italian, Vicenzan, active late 16th–early 17th century)
    Woodcut; second state

    sheet 20 1/4 x 15 3/8 in. (51.4 x 39.1 cm)
    Rogers Fund, 1922 (22.73.3[152])